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Born in Bristol, England, Paul
Newman turned to full-time writing in the 1970s, since when
he has published various titles on history, symbolism, literature and
topography, notably The Hill of the Dragon (1979); Somerset
Villages (1986); Bath (1986); Bristol (1987); The
Meads of Love (1994); Lost Gods of Albion (1998); In Many
Ways Frogs (poems with A R Lamb 1997) and A History of Terror
(2000). Editor of Abraxas – a journal devoted to literature and ideas
- his articles and stories have featured in Writers’ Monthly, 3rd
Stone, South West Arts, Westwords, Cornish Review,
Psychopoetica, Ramraid Extraordinaire, Story Cellar
and Dreams From A Stranger’s Café.
PRESS OPINIONS
The Hill of
the Dragon (1979)
People who set out to write
well-researched books on unexplained phenomena without an axe to grind
deserve an award for heroism. Scientists and the incurious will snipe
and lunatic fringe draw hysterical conclusions. So it must be
particularly cheering to Paul Newman, author of a neat and witty book on
dragons, to learn from the Blashford-Snell expedition that an 18-foot
Saurian is still alive and well and eating people. Mr Newman’s book is
great treat for the romantic zoologist, exploring the world-wide dragon
myths with a thoroughness that would have delighted to late Willy Ley
and Rupert Gould.
(Elizabeth Hogg – The Daily
Telegraph)
Somerset
Villages (1986)
In this delightful impressionistic
guide, Paul Newman takes us through the many villages of Somerset,
paying dues to the virtues of Cheddar Cheese, Taunton Cider and Hamstone.
With a sharp eye and easy, evocative style, he opens our eyes to things
we would otherwise overlook or ignore.
(The Countryman)
The Meads of
Love (1994)
The biography, the first since the
poet’s son wrote an idealised portrait following Harris’s death, is
written with wit and style; it sets the homespun life against the great
events of the time, and uses the poems to make intelligent guesses about
Harris’s character.
(DM Thomas – The West Briton)
Lost Gods of
Albion (1998)
The delight of this book is that it
is a well-read and wry survey of the extraordinary variety of response
and interpretation the hill-figures have evoked down the centuries.
(Richard Mabey – Daily
Telegraph)
The greatest strength of this work
is data, the objective information about situation, measurement and
known history of each monument, presented fairly and with good humour
and a superb garnish of evocative prose. The book is a useful corpus of
fact and a fine example of the twentieth-century imagination at work.
(Ronald Hutton – Antiquity)
A History of
Terror (2000)
Since human beings became aware of
their own existence, people have been afraid. But have they always been
afraid of the same things? Wild animals, spirits, demons and
psychopaths: down the ages, the objects of our anxieties have changed
and shifted. In this elegantly written, engagingly conversational and
superbly informative book, Paul Newman charts the shapes and sizes our
fear has taken, from the rustic ‘panic’ of ancient herdsmen suddenly
confronted with the Great God of the wild, to postmodern websurfers,
overwhelmed by the glut of useless facts on the ‘information
superhighway’.
(Gary Lachman – Fortean Times)
Galahad
(2004)
This novel throws light on the
dark ages. We follow the adventure of wry, weary Galahad as he searches
for the Grail, finds love, loses love, finds it again and meets a host
of mythical characters. Holocaust scenes of appalling terror, including
one featuring the Wicker Man, are contrasted with adventures of gentle
hilarity and lyricism. Eventually Galahad grows tired and cynical. No
longer does he want to fight knights or ogres or search for sacred
baubles. No longer does he believe the world can be redeemed by a
mystical object. He is deserted by his companion knight, Sir Hugh
Meadmore, who is bloated by ale and personal vanity. Yet defiantly
he sticks with his quest and finds the Grail in the far north of
Britain. He takes it back to Arthur who is already engaged in the last
great battle of his career. (Jacques
Gobineau - The Dakota Review) Aleister
Crowley and the Cult of Pan (2004) Few
more nightmarish figures stalk through English Literature than Aleister
Crowley (1975 - 1947), poet, magician and agent provocateur. In this
groundbreaking study, Paul Newman dives into the occult mire of
Crowley's works and fishes out gems and grotesqueries that are by turns
sublime, ethereal, pornographic and horrifying. Like Oscar Wilde before
him, Crowley stood in symbolic relationship to his age and to
contemporaries like Rupert Brooke, G.K. Chesterton and the Portuguese
modernist, Fernando Pessoa. An influential exponent of the cul of the
Great God Pan, his essentially 'pagan' outlook was shared by major
European writers as well as English novelists like E.M. Forster, D.H.
Lawrence and Arthur Machen. Haunted
Cornwall (2005)
For anyone wanting to know why Cornwall is called the most haunted place
in Britain, this collection of sightings and happenings in streets,
churches, public houses and country lanes provides the answer.
From heart-stopping accounts of poltergeists to first-hand encounters
with ghouls and spirits who haunt prehistoric graves, Haunted
Cornwall contains a chilling range of ghostly phenomena. Drawing on
historical and contemporary sources, it features a dramatic
‘exorcism’ that took place at Botathan in the 17th
century; the spectre of Annie George at the First and Last Inn, Sennen;
a ‘human double’ clocking in for work at a St Austell theatre
school; a terrifying case of madness, magic and spirit possession at
Tregerthen; a vanishing house at Bossiney; a phantom stagecoach on the
Mevagissey road and the sirens singing at Tregudda Gorge near Padstow.
The
Tregerthen Horror (2005) - Available
here for £12 (Special Offer)
Prior
to the World War 2, West Cornwall generated a number of stories of a
sinister occult nature. Foremost among them was that the Great Beast,
Aleister Crowley, stayed at Zennor and founded a mainly female cult who
danced naked around stone circles, took powerful narcotics and held
orgies up on the moor. This was spread by word of mouth and by numerous
'horror' fictions penned by writers like A.L. Rowse, Denys Val Baker,
Mary Williams and Frank Baker (who wrote a bizarre roman
à clef on the subject). Some maintained this decadent coven was
directly or indirectly responsible for the death of Katherine Arnold
Forster, the former sweetheart of the poet, Rupert Brooke, who died in
mysterious circumstances at an allegedly 'haunted' cottage near Zennor
Carn in 1938.
In THE TREGERTHEN HORROR, these so-far unsubstantiated rumours are the
subject of meticulous investigation by Paul Newman. Initially alerted by
an anecdote (preserved in literature and living memory) of Crowley's
influence tragically affecting the lives of a young couple who were
living at Zennor, he starts out asking sceptically, "Why has no
biographer ever taken this seriously?" But then he meets people who
retain a living memory of the incident and is surprised to discover the
association with Aleister Crowley and magical activities in Zennor date
back to 1917 and the entourage of D.H. Lawrence which included the
brilliant yet highly volatile musician, Philip Heseltine, and the
babbling psychotherapist and ex-Crowley disciple, Meredith Starr, and
his black wife, Lady Mary Stamford, both of whom fasted and undertook
occult experiments in mines. Also present was the composer, Cecil Gray,
who thought the region a 'spiritual black country'. Yet he managed to
lure the poetess HD away from her husband and into the large house he
rented there, resulting in the birth of a child, Perdita, who Gray
quickly disowned. Both Gray and Heseltine later became involved with
Crowley's drug-set and performed rituals to ensure the music they
composed should attain the immortality they thought it deserved.
THE
TREGERTHEN HORROR traces their personal histories, their occult and
spiritualist obsessions, in and out of Cornwall, along with those of
another group who gathered around Mousehole prior to World War 2 -
literary notables like Dylan Thomas, Oswell Blakeston, Frank Baker and
artists like Greta Sequeira and the bohemian hostess, Wyn Henderson.
Tracing their pre-war and post-war lives, it lays bare a series of
fantastic incidents involving a society scandal, a haunted cottage, a
tragic death, a chronic case of insanity, wartime skulduggery and the
sensational Walton Murder that was investigated by Fabian of the Yard.
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